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An ongoing dispute between Pest Control Office, Banksy’s (self-described) parent/legal guardian, and Full Colour Black, a UK based greeting card company specialising in famous street art, has resulted in six EU trade mark cancellations for the (in)famously elusive street artist on grounds of bad faith. (One further case remains pending, since Banksy has re-filed one of his previously invalidated marks – the ‘flower thrower’).
The European Intellectual Property Office (the “EUIPO”) declared Banksy’s ‘Radar Rat’, ‘Painting Rat’, ‘Bomb Hugger’ and ‘Girl with an Umbrella’ trade mark registrations invalid last week . This latest set in a string of decisions dating back to September 2020 reinforces the fact that genuine intention to use a trade mark must exist at the time of filing the trade mark application. In particular (and rather unsurprisingly), the EUIPO noted that use “only to circumvent the law” does not count as genuine intention to use.
The central issue under which the validity of Banksy’s trade mark registrations was called into question was that of genuine use, and what Banksy’s intention was at the time of filing these trade mark applications.
The EUIPO Cancellation Division took issue with the fact that, at the time the invalidity actions against Banksy’s trade mark registrations were filed, Banksy had never marketed or sold any goods or services under the marks; in fact, the only use of the trade mark registrations was made shortly after they were contested by Full Colour Black, in October 2019 when Banksy opened an online shop in an apparent effort to show use of the contested registrations. Though this couldn’t save Banksy from the EUIPO’s ultimate finding that Banksy had no genuine intention to use the marks at the time of filing, the EUIPO considered that this post-registration use was not genuine in any event, since evidence pointed to the fact that the raison d’être for the shop was purely to circumvent the law and overcome the requirement of non-use for trade mark proceedings rather than to commercialise the goods marketed for sale in the online shop. Banksy’s own public statements surrounding the launch of the shop (notably “sometimes you go to work and it’s hard to know what to paint, but for the past few months I’ve been making stuff for the sole purpose of fulfilling trademark categories under EU law”) undermined his case on intention.
Given that, on the evidence, Banksy was considered to have had no intention to use the contested trade mark registrations for the registered goods and services at the point of filing, the trade marks were held to have been filed in bad faith. On that basis, the EUIPO Cancellation Division invalidated these four further trade mark registrations on grounds of bad faith.
As regards what can be considered to demonstrate bad faith in the UK, there is potential for divergence post-Brexit between how EU and UK trade marks are treated: the Banksy EUIPO cancellations are the latest example of the particularly topical thread of bad faith which is weaving its way through both European and UK trade mark courts at present, including notably the recent MONOPOLY ruling (Hasbro v EUIPO, Case T-663/19) and the awaited English Court of Appeal decision in Sky v Skykick following the CJEU judgment which seemed to set a rather low bar (at least by UK standards) with respect to the threshold for genuine intention to use. Watch this space…
Whilst arguably Banksy’s case represents the low water-mark of “no genuine intention to use”, this case highlights the importance for trade mark applicants – whether of UK or EU trade marks – in making sure they have a genuine intention to use a mark, as filed, at the time of filing the application to register it. In a worst-case scenario, brand owners may be subject to invalidity proceedings, ultimately lose their registered rights and with that, the ability to enforce them.
Authored by Anneka Dalton and Laura Alvarez Otero